http://localhost:8080/xmlui/handle/123456789/51 2026-04-14T14:33:01Z 2026-04-14T14:33:01Z Narumol Silpachaisri Sucha Silpachaisri http://localhost:8080/xmlui/handle/123456789/1210 2024-02-09T05:21:41Z 2018-01-01T00:00:00Z

Mae-seu’s Thai Puppet Narumol Silpachaisri; Sucha Silpachaisri This research is aimed to study and creative imagination of the guardian spirit of a newborn baby (Mae-seu) according to the belief in Thai society from the picture book at national library and Pavilion of Mae-seu at Wat Phra Chetuphon to present the media in expressing the impressive creation of the Mae-seu puppet and creating a new motivation in studying the mystical knowledge. The research found that the belief in the creation of the Mae-seu’s Thai Puppet from respecting the Navagraha in Hindu which is meaning of stars in the universe and related to human life according to the beliefs of Thai people. Mae-seu is the presentation of the vehicles for the 7 deities. The role of the Mae-seu in the perception of Thai people can be divided into 2 groups: 1. Traditional groups as well as the villagers who focus on the Mae-seu as a ghost that gives a penalty on the baby's life, so there is a tradition of birth by using the symbol of the Mae-seu belong daily in the ceremony. 2. Traditional Thai medicine and philosopher whose are able to understand the meaning of the symbol of Mae-seu. For example, can use symbols to represent symptoms of disease in children with the appearance of Rahu called Lambong Rahu, etc. Mae-seu's role has been changed since the reign of King Rama III by the mural painting. At the present, the art of performing Mae-seu dance and Mae-seu puppet became a media that reflects a new perspective changed the role of the Mae-seu from ghost harassment to protect the baby by using beauty and aesthetics to be in accordance with the creator intended.

2018-01-01T00:00:00Z Sattha Sinsathitsukul Songsri Panich Wanna Narareadsukubpong http://localhost:8080/xmlui/handle/123456789/1204 2024-02-09T05:20:55Z 2018-01-01T00:00:00Z

Transfer of Fabrication Technology and pattern Development of Four Handle Jar pottery from Sing Buri Sattha Sinsathitsukul; Songsri Panich; Wanna Narareadsukubpong Community “Four Handle Jar pottery” was a major production of earthenware steamer of Hourd to store a sugar in ancient times. The research team has studied the information to develop and improve the fabrication process to be quick and easy to produce by the elderly. The results of the study and analysis revealed that the composition of stoneware clay and the earthenware clay from “Four Handle Jar pottery” to prepare the slurry was a ratio of 1 to 9 mixed clay and a specific gravity of 1.6-1.7 can be used in the process of hollow slip casting under the use of 2 pieces plaster mold. Pottery with a local identity can be used the slip casting method to save time and reduce the labour force because the group of labour is older and also produce a lot. The experiment showed that sample was a shrinkage of 12% after firing at 900 and ๑,๒๐๐ oC. The scores were at a high level of 4.๘0. The method of preparation slip was easy to understand and not complicated 4. ๗๕, neatness of plaster molds was average 4.๘๒, save time 4.6๗ , suitable for older labor 4.87, maintain the local identity 4.๙๐, reduce damaged after firing 4.๕6, can be produced in large numbers easier 4.๘๖, the hollow casting is as complete as the method of throwing 4.๖๑, control thickness of sample 4.๘ 9. The participants can be produced of hollow casting, reduce working time when compared with a throwing that requires much force to do and time to practice skill. The hollow casting need to learn how to prepare slip, demolding and decoration. From the firing of firewood kiln, it remains the unique color of the ancient pottery, good dry condition, easy to seam decoration and reduce damage after firing.

2018-01-01T00:00:00Z Tawatchai Teanprative http://localhost:8080/xmlui/handle/123456789/1193 2024-02-09T05:21:18Z 2018-01-01T00:00:00Z

The Design and Development to make Integrated Natural materials bags for OTOP in Angthong Province Tawatchai Teanprative The study of “The Design and Development to make integrated Natural materials bags” for OTOP in Angthong Province. aims to design and develop natural materials for 4 OTOP groups in Angthong Province.; SonsinBangchaocha, JaksanPaktopchawa Ban Bangtapan, Torpamadmee Nar Wat Bot and SatriKrapaonangTambon Ban Hae.The develop and design continue from local wisdom of each OTOP group to create identity and value added to reach the customers need. The research methodology used is select 4 OTOP groups in Angthong. After each group got the product, it had been analyzed by 3 experts for pros and cons and created 5 prototype bags for working women which had difference and novelty. The step by step of doing this is in picture and caption. The prototype products are used to transfer knowledge to the OTOP groups in materials mixing, design and production. The research instruments included materials mixing, usage, beauty and satisfaction..Theresearch in struments are questionnaires for both producers and users in materials mixing, usage, beauty and satisfaction. The statistics used are percentage, mean, standard deviation and t-test. The research findings suggest that the producers and users consider all aspects at high level. There is 0.5 statistical significant different in all aspects. OTOP groups in Angthong acquire knowledge and skill in materials mixing, design, and production to create natural materials products.

2018-01-01T00:00:00Z Surat Boonthrong Suwit Vidhyachak http://localhost:8080/xmlui/handle/123456789/1186 2024-02-09T05:22:28Z 2018-01-01T00:00:00Z

The study of alternative materials of Soapstone Surat Boonthrong; Suwit Vidhyachak The purpose of this research is to study the alternative materials which can be used instead of Soapstone, by using technology in carving other materials. Starting with the process of creating 3 dimensions files of Thai Art Pattern in order to build a mold set for carving on 3 materials; Acrylic, Brass and Iron. In carving process, the CNC (Computer Numerical Control) is used for creating the molds. In decorating process, materials for Khon Mask and Sirapon are to be pressed inside the molds to create patterns and to test if the materials can be used instead of Soapstones, which are currently rare, also to find out if they can fit in right dimensions and meet the needs of Thai artisans. The experiment is performed by the experts. Three kinds of mold are tested. The results are discussed under the topic of quality of the molds. Some control group tested with the Acrylic mold. Questionnaires on the workshop day provided us data and details in conclusion that related to the satisfaction from the result. The result illustrated that the CNC can provide standard quality molds of 3 materials. The Acrylic mold is said to be the best material among 3. The reasons are the lower cost, the easier and quicker with more convenient of the use, and the same quality compared to Soapstones. The average of satisfaction is 4.49 or 89.77 %.

2018-01-01T00:00:00Z