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<title>ศิลปนิพนธ์ (Art Thesis)</title>
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<description/>
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<rdf:li rdf:resource="http://localhost:8080/xmlui/handle/123456789/1727"/>
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<dc:date>2026-09-12T19:17:30Z</dc:date>
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<item rdf:about="http://localhost:8080/xmlui/handle/123456789/1730">
<title>CHILDHOOD THE MEMORIES OF CHILDHOOD (MY TOYS)</title>
<link>http://localhost:8080/xmlui/handle/123456789/1730</link>
<description>CHILDHOOD THE MEMORIES OF CHILDHOOD (MY TOYS)
AUKAMPHAENG, WISUTTHINI
The research aims to 1) The concept of the theory of childhood memories (toys) on the&#13;
topic of childhood memories (my toys) 2) To create silk screen printing art works on the topic of&#13;
childhood memories (my toys) 3) To create learning media for creative silk screen printing art works&#13;
for high school students. The research process consists of 4 steps: 1) Study, research, collect data&#13;
2) Create art thesis and organize teaching media 3) Analyze and summarize research results 4)&#13;
Present art thesis results&#13;
The research results found that&#13;
1) The research results studied the creation of paintings on the topic of “Childhood&#13;
Memories (My Toys)” using the silk screen printing technique to create a unique surface that helps&#13;
the work stand out. and creatively combine concepts and apply them as teaching media for visual&#13;
arts for high school students.&#13;
2) The results of the creation of 2 works: the first art thesis, “Let's play together?” and&#13;
the second art thesis, “Before going to bed.” It is a creation of silk screen printing techniques, sized&#13;
46 x 65 centimeters, arranged with free-form imaginative compositions, using warm and cool color&#13;
groups to create balance. Dark colors are used as the background to make the highlights of the&#13;
image clearer.&#13;
3) The results of the creation of teaching media to show the steps of creating silk screen&#13;
printing artwork to be used as teaching media for visual arts for high school students creatively.
</description>
<dc:date>2025-01-01T00:00:00Z</dc:date>
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<title>Defilement and Passion of the Humen affect the Buddhism In present day Thai society</title>
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<description>Defilement and Passion of the Humen affect the Buddhism In present day Thai society
Jitjum, Natchanan
The creation of the art thesis on the topic “Human Desire and Lust Affecting Buddhism in&#13;
Current Thai Society” reflects the negative state of the human mind and its impact on Buddhism&#13;
in Thai society, which continues to spread. This influence is evident in the media, news, events,&#13;
and the researcher’s personal experiences. This issue highlights that it is not the religion itself that&#13;
is deteriorating, but rather the actions of people in society that are causing its decline. The research&#13;
aims to: 1 ) Study the principles of the Tripitaka in relation to causes, problems, Western&#13;
psychological theories, Buddhist psychology, social influences, and the human mind that contribute&#13;
to lust. 2 ) To create traditional Thai paintings that reflect the problems of human lust and desire&#13;
affecting Buddhism in contemporary Thai society. and 3) produce a video tutorial on the techniques&#13;
of creating traditional Thai paintings, to be used in teaching Thai art at the vocational level.&#13;
The operation process can be divided into 1) study, research and data collection, 2)&#13;
preparation of thesis and art education teaching media, 3) presentation of creative works and&#13;
teaching media.&#13;
The research results found that 1) The data analysis found and understood the principles&#13;
of Buddhism. The content of the data of the principles of the Tripitaka's teachings in terms of&#13;
causes, problems, Western psychological theories, Buddhist psychology and social influences, and&#13;
the human mind that cause defilements. 2) 1 piece of creative work, size 155 x 110 centimeters,&#13;
in the form of traditional Thai paintings, acrylic and niello techniques, reflecting the problems of&#13;
human defilements and desires that affect Buddhism in current Thai society. It is a creative work&#13;
that shows the image of a non-human being and a person who shows a fighting, struggling, and&#13;
destroying posture. These things all come from the defilements in the human mind. It was created&#13;
by using a dark atmosphere and using the Dharmachakra as a highlight, which is a symbol of the&#13;
Dharma teachings, which means the wheel of Dharma, which is in a state of disintegration caused&#13;
by destruction. 3) Teaching media, a video, learning the technique of creating traditional Thai&#13;
paintings in teaching Thai art at the vocational level, showing the steps of creating works in the&#13;
harmachakra area. The highlight of the work is the steps of painting and niello applied with materials.
</description>
<dc:date>2024-01-01T00:00:00Z</dc:date>
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<title>“PHAR-BOT” THE IMAGE OF BUDDHA IN THAI PAINTING</title>
<link>http://localhost:8080/xmlui/handle/123456789/1726</link>
<description>“PHAR-BOT” THE IMAGE OF BUDDHA IN THAI PAINTING
KHAMOIU, SONGYOD
This research aims to: 1) Study the history of Phra-Bot (traditional Thai painting on&#13;
fabric) and traditional Thai painting techniques, focusing on the Buddhist narrative of Yamaka&#13;
Patihariya (The Twin Miracle). 2) Create a traditional Thai painting in the form of Phra-Bot depicting&#13;
the Buddha’s Yamaka Patihariya as an object of reverence. 3) Design and develop educational&#13;
materials for teaching traditional Thai painting on Phra-Bot fabric, intended for high school and&#13;
vocational students.&#13;
The research process consists of four stages: 1) Studying, researching, and gathering&#13;
relevant information. 2) The creation of artistic works for thesis study and the development of&#13;
teaching materials. 3) Analyzing and summarizing the research findings. 4) Presenting the artistic&#13;
thesis and instructional materials. High school and vocational students.&#13;
The research results found that:&#13;
1) The study of traditional Thai painting focused on the creation of Phra-Bot,&#13;
utilizing ancient painting techniques, preserving Thai craftsmanship wisdom, and preparing the&#13;
painting surface. These findings were applied in the development of educational materials for high&#13;
school and vocational students.&#13;
2) The creation of the Phra-Bot artwork involved a 75 x 145 cm depiction of the&#13;
Buddha performing the Yamaka Patihariya. The painting was executed using natural pigments on&#13;
fabric, primed with tamarind seed glue, chalk powder, and fig tree adhesive. The artwork was&#13;
adorned with gold leaf and fine pigment outlines, with a symmetrical composition based on&#13;
iconographic principles to evoke a sense of serenity.&#13;
3) The instructional materials were developed and presented using Canva, focusing&#13;
on the preparation of tamarind seed glue and chalk powder as a painting surface in traditional Thai&#13;
painting.
</description>
<dc:date>2024-01-01T00:00:00Z</dc:date>
</item>
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<title>A CASE STUDY ON LOW-RELIEF SCULPTURES DECORATING THE CLOISTER OF THE ORDINATION HALL AT WAT PHO (WAT PHRA CHETUPHON VIMOLMANGKLARAM RAJWARARAMAHAVIHARN), REIMAGINED AS SCULPTURES OF LIGHT AND SHADOW</title>
<link>http://localhost:8080/xmlui/handle/123456789/1725</link>
<description>A CASE STUDY ON LOW-RELIEF SCULPTURES DECORATING THE CLOISTER OF THE ORDINATION HALL AT WAT PHO (WAT PHRA CHETUPHON VIMOLMANGKLARAM RAJWARARAMAHAVIHARN), REIMAGINED AS SCULPTURES OF LIGHT AND SHADOW
Caroenphuet, Natagrich
This research aims to: The creation of original bas-relief sculptures utilizing modeling,&#13;
mold-making, and fiberglass mixed with sand casting techniques, based on scenes from the&#13;
Ramakien narrative. The works are inspired by the bas-relief sculptures from Wat Phra Chetuphon&#13;
Vimolmangklararm, particularly Panel No. 126 (Hanuman Captures Virunchamuk) and Panel No. 38&#13;
(The Demon Army Puts Hanuman in a Mortar and Pounds Him).&#13;
research follows four steps: 1.) Study, research, and data collection 2.) Creation of the art&#13;
thesis work and development of instructional media 3.) Analysis and conclusion 4.) Presentation of&#13;
the creative work and instructional media&#13;
1.The study of the history and artistic styles of the Ramayana murals at Wat Phra That&#13;
Phanom, particularly panels 126 and 38, reveals distinctive artistic features that reflect Thai artistic&#13;
traditions. These murals serve as visual narratives conveying moral and cultural values, illustrating&#13;
the uniqueness of local artistry.&#13;
2. The creation of low-relief sculptures based on these murals resulted in two&#13;
completed works, each measuring 90 cm in length and 2 cm in thickness.&#13;
2.1 The sculpture inspired by Panel 126 (Story of Hanuman’s Bravery) was created&#13;
using a sculpting technique combined with shading to enhance dimensionality, making it suitable&#13;
for adaptation.&#13;
2.2 The sculpture inspired by Panel 38 (Story of Phra Phalai’s Journey to Lanka)&#13;
was crafted using similar methods, emphasizing movement and dynamism through line work and&#13;
form.&#13;
3 The sculptures were evaluated and refined based on expert critique, leading to&#13;
improved production techniques and considerations for potential applications in architectural&#13;
and decorative contexts.
</description>
<dc:date>2024-01-01T00:00:00Z</dc:date>
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